Bury St. Edmunds, Suffolk, UK

And now for something completely different. While in the UK, we did a good bit of sightseeing. From Inverness to Long Melford we put some serious miles on our vehicles and saw some incredible places along the way. I have most of the places we visited below, although I could easily be forgetting a few.

Northern Scotland and the highlands.
Southern Scotland into northern England.
After we moved to March, in Cambridgeshire. These are the ones closest to home.
And a bit further afield.
And from furthest north to furthest south.

While we were living in Cambridgeshire we went to Bury St. Edmunds and visited the abbey ruins there. Even though we had already seen a dozen or more ancient abbeys that were in better shape than this one, our visit to these ruins made an impression. We had already visited Jedburgh Abbey and St. Andrews Cathedral as well as a few castles that were around the same age as these ruins, but on this sunny and beautiful day it hit me that these ruins (nearly 1000 years old) had people just sitting and having a nice lunch and a chat on them.

People having lunch and a chat at the ruins.

The casualness of this interaction stunned me even though we had been visiting castles and ruins for a year. I had not become familiar enough with these ancient buildings and ruins to see them as anything but objects to be revered and honoured, so I thought it was amazing that they could just be seen as a beautiful space to relax and chill.

One thing that bugged me for a while was the name Bury St. Edmunds. Why was there a verb in the name and wasn’t it a bit morbid? Well, come to find out that the Bury comes from an earlier form of the English ‘borough’ or German ‘burg’ and means fortress or stronghold. The town was initially called Beodricsworth until the remains of the martyred king St. Edmund were moved there, then it became St. Edmundsbury and then Bury St. Edmunds. I later found that there are a few other places in the UK with Bury in front.

One bit of historical trivia that caught my eye was that the abbey is connected to the Magna Carta.

Another interesting tidbit is that we only stumbled on this as we were going to Lavenham to check out a couple of antique shops. And Lavenham is going to be the subject of another post.

Oak Coffer Observations Part One

I’ve put off writing about this because I was waiting for our shipment to arrive from the UK so I could reference some of this first hand.

One of the types of furniture that I found in the UK that piqued my interest was the oak coffer. Since the middle ages, the oak coffer or oak chest has been an essential piece of furniture for a household and not only served as storage but as a seat. The earlier coffers were primarily plank construction, something that changed during Elizabeth I (1558 – 1603) when panelled coffers became more popular. (English Furniture, Its Essentials and Characteristics by John C. Rogers, Published by Offices of Country Life, 1923)

Beautiful example of a 6 plank oak chest. 16th century. Photo from Antiques Atlas
Showing the long wide single plank top. Photo from Antiques Atlas
A panelled oak coffer from the 16th century (Elizabeth I). Photo from Marhamchurch Antiques
Another Elizabeth I example. Photo from Marhamchurch Antiques

While in the UK, I rarely saw the earlier plank chests (I saw a few later 20th century versions), but I did see quite a few of the panelled chests. Once I started looking at them more closely I realized that they are similar to the oak chests that Peter Follansbee has been talking about for quite some time. When I re-watched an episode of “The Woodwright’s Shop” it really motivated me to look into this type of antique and how they were made. In this episode, Mr. Follansbee had observed that there were grooves in the top of the stiles that didn’t seem to make sense.

In this screenshot we can see that there are grooves on one face of each stile and that they seem to chase each other around the chest. Why is there a groove on only one face? And why on alternating faces?

The groove itself is for the panel to ride in and is only needed between the mortises for the rails. Functionally there would be no reason for the groove to go all the way to the end of the stile. Mr. Follansbee went on to show how the rear portion of the skate (or runner) of the plow plane would ride too high for the iron to cut the groove unless you cut a groove for the skate to ride in.

The plow plane cannot cut the groove for the panel because the back of the skate will ride high. The solution is to cut the groove all the way to the top of the stile so the skate can drop down and let the blade cut.

I had seen this episode many times before but I’d never had a chance to look at any old coffers up close. Since then, I’ve seen dozens and we also own one that was made in the late 17th century (about 1670). I’ve found that many of the panelled construction coffers do show these grooves to some extent, however, the age of these pieces and the fact that many have been repaired at a much later date can wipe out some of these clues.

This chest shows the grooves on three of the stiles. The back left stile does not have a visible groove.

The following are of my coffer that just arrived, so I was able to take better pictures.

Front left stile.
Front right stile.
Rear left stile.
Rear right stile.

It’s been incredibly exciting to be able to find supporting evidence for this process and even more exciting to be able to handle so many of these pieces. I’ll be following up with more on the oak coffer since I’ve found many more interesting things in mine. I’ve also been sorting through my photographs of all the others and continually find new and interesting things.